Friday, 3 January 2025

Spanish outfit Outeiro - Ollos de Marzal, 1980, by request

 







From discogs, where a very long bio describes them rather intricately, beginning thusly:

Outeiro was a band that fused progressive rock and jazz. Their origins date back to 1979 in Vigo (Pontevedra). They started out as a guitar, bass and drum trio made up of Pepe Bordallo from Los Zuecos (bass, acoustic guitar), Fernando Llorca (drums, percussion and trumpet) and Rubén Péz (electric and acoustic guitar).

Shortly afterwards they were joined by Lorenzo Cuasante (keyboards), who comments in La Enciclopedia del Rock Sinfónico y Progresivo Español that “they gave me a tape that they had recorded as a trio with several songs. They sounded like a hard rock group but those recordings had a very original and exotic touch (even too romantic) to put labels on them. On the other hand, they lacked harmony and the meter they followed was quite arbitrary (imagine a 3/4 beat followed by a 4/4 and then a 3/8!) devilishly complicated and tangled for any rock musician to square off with.” At first Lorenzo thought that all of these were inconsistencies that needed to be fixed, but listening to the tape carefully he realised that these were not inconsistencies, that it was all premeditated and that it was precisely there where their originality lay. The music flowed with total naturalness in Outeiro.

and etc. etc.

The music is very much like their predecessor on this blog Caldera crossed with Sacbe, but perhaps slightly less creative and definitely with less of the tropical warmth of those 2. Quality is moderate, not outstanding like the earliest Sacbe and Toussaint.

Title track goes like this:



I should mention this is Bibiano-related (e.g., bassist / vocalist Florencio Gonzalez was also in Bibiano, once posted here on this blog).  Surprisingly the style that shows up here is quite different, not folky.



Thursday, 2 January 2025

US Caldera in 4, by request















Discogged here albeit with minimal info.

I would say they are typical progressive Latin fusion from the late 70s, not as fiercely creative as the Mexican Sacbe band I loved so dearly back here, or Pe Ante Pe more recently here. In keeping with their popularity at the time they are rather smooth in fact with minimal craziness but extremely professional playing.
From the first album (ST, 1976), Synesthesia:



From the second (Sky Island, 1977), Seraphim / Angel:



From the third (Time and Chance, 1978), Mosaico clearly uses the same old Latin music cliches but does delve into more complex areas of composition here and there:




Tuesday, 31 December 2024

German George Speckert's Requiem For a World After, 1980, FLAC limited time only

 





A German musician named George Speckert made this amazing electronic album in 1980, but nothing like it thereafter, at least so far as I know.  From the note there on discogs:

Actually, Requiem is not really the name of this artist/project. It's the debut solo by George A. Speckert, an American musician who got his Bachelor of Arts degree at a University in England before relocating to Germany where he has stayed ever since. However, in many collector's sales lists it was wrongly listed, just because the word REQUIEM is in big letters on the front. Although not German, this synthesizer LP (with a guest guitarist, Massimo Grandi) is very much in the German style of the era.


And a fitting requiem it is for the year 2024, I will not say it was a good one for the world or the planet. I would love if an optimist could outline why there is a lot of hope for the future when you consider the following facts:

-less and less is being done for climate change even as it progresses into full emergency situation

-the world's conflicts have increased steadily since the last decade, both in number and in casualties, I believe I saw there are more wars now, with greater loss of life, than at any time since 1945, add to that the total unwillingness of East and West to discuss nuclear arms control

-the rise of the far right and populism all over the world seems like the beginning of a new era of fascism, nor is it hard to understand where the appeal comes from, considering that historically times of uncertainty and crisis create a profound human wish for kings (of which we can nominate Elon as the first 'world king' though I think he would consider himself the 'all of space king')

-we can see signs of the future in plateauing of average human lifespan (decreasing in some countries) plateauing of average scores in IQ tests, a slow increase in the number of people in poverty worldwide, and a huge increase in migration patterns, and backsliding in the number of people living in democratic countries

For ex., note the following article that states US life expectancy peaked in 2014-- not just a short time ago, more than 10 years ago. If this trend weren't significant it wouldn't be so long ago (setting aside the decline caused by the pandemic of course)

Given the fact food inflation is proceeding and not expected to reverse we can expect that globally the number of people living in extreme poverty and/or who are malnourished will be increasing, without a doubt, a trend that has been declining or at least plateauing to constant celebration from world organizations or NGOs. Obviously this is a statistic that is almost impossible to really verify or even understand. But I doubt that with food prices so high here in the western world there is no concomitant increase in suffering in the developing world.

I'm especially thinking of Pinker's "The Better Angels" book (which I once admired) describing how enlightenment and democracy (of course led by the US) have led the whole world to a better state-- at the cost of completely ignoring climate change and most of the developing world, which is the majority of humanity of course.  Like the more pathetic "The World is Flat" book by Friedman, the misguided thoughts seem sadly dated. But for all those who have young children, we have to hope that a better world will come, eventually.  Though the children and young adults themselves are the least optimistic about their own futures, and that says a lot. I don't remember being pessimistic about the future of my generation, growing up, not at all, apart from the threat of nuclear war.

So anyways, Happy New Year!

We shall see what happens in 2025...


Sunday, 29 December 2024

Japanese percussionist Akira Jimbo [Cotton, 4 Colors, Get Up!] and Solution, by request

 





Discogged here with the following intro:

Born on February 27th, 1959 in Tokyo, he is a Japanese drummer and percussionist known for being a former member of Casiopea from 1980 to 1989, later rejoining from 1997 to 2006, and lastly from 2012 to 2022 as a backing musician. In 1990, after departing from Casiopea a year prior, he formed Jimsaku, a drum and bass duo with Tetsuo Sakurai (another former Casiopea member).

Akira Jimbo was also named one of the top 100 Japanese people the world respects by Newsweek Japan in 2007.

The music here is very smooth fusion in the typical Japanese style of the era, which by now we are quite familiar with. Very jazzy first album (Cotton) with vocals.


Saturday, 28 December 2024

Requiem's 7" Remember / Non-Dolby [Germany 1978]


 
I post this for Xmas because it's so ultrarare, I doubt many have heard it, and yet it's remarkably enjoyable listening for the prog rock fan.

It's only an EP but it's well worth the hearing, quite reminiscent of Rhea's Sad Sorceress, once posted here long ago (and finally a complete mp3 version in 2017), perhaps a bit more electric and energetic, but nonetheless, all out classic progressive rock. One side has a vocal track and the other, Non-Dolby, is instrumental. I didn't sample it because it's all in one linked continuous recording. I don't believe it's listed in discogs, amazingly, but as usual the rateyourmusic 'basement dweller' vinyl collectors listed it (but did not review it) here. I personally don't think it deserved three and a half stars though, for us it is definitely a 4-star rating. Sigh, musical taste is something so difficult to harmonize, I mean, my boys are now at the stage where they keep telling me hip hop / rap is fantastic and I'm dumb to not appreciate it... They call me a snobby elitist for my own musical preferences...

on youtube:

https://youtu.be/Fvn04FKNsBc

https://youtu.be/MBBd4w_KqT4