Romolo Grano & Gianni Oddi - Le montagne della luce (OST 1975)

 

Info here.  This is an OST for:

Music composed for the tv documentary Le Montagne Della Luce (1975, Giorgio Moser, prod. Rai)

A1, A2 first released on 7" (SRL 10781, Ricordi, 1975).

A3, B1 and B2 are previously unreleased.

About Africa, of course.  I posted this because I was completely taken away by the otherwordly beauty of the Kilimanjaro track, recalling Morricone at his most ethereally, transcendentally transporting:

Everything about this composition is so beautiful, with the female vocals, the synths, the progression of the elaborate melody, with the usual comments I have to make about why something so gorgeous has been so completely forgotten today...  

I read on discogs too the vocalist is the same one Ennio used for some of his unforgettable soundtracks.

I don't know if there is more Grano out there worth hearing, does anyone else know?

Tom MacDonald Exposed - Music to Activate, 1981 Calif.

 

An insane cover, but totally a sign of those naive times, when nudists expected their nutty trend would one day take over the world...  Why wouldn't it, being 'more natural'?  then again, why would it? 99 percent of humans as I see it would prefer to cover up their imperfections, and leave everything to imagination which is always more beautiful than the real thing, surely.  And in an era where sexual harassment is such a primal issue, why would women want to walk around naked in public and aggravate the problem?  Correct me if I'm wrong, but wouldn't it be hard to work at a bank, or go there, if all the tellers were naked?  Insane times those were back then.  And the fact that they named this LP after the same exhibitionistic image / concept! As if the founder was a true believer!

Note the discogged information here:

1980s folk rock/soft rock group from Nevada City, California who released their sole album in December 1981 on the small local label Bennett House Records to little fanfare or success however new interest for the group would emerge when it was revealed that DJ Shadow had sampled their work for the song Bloodstain on 1998's UNKLE - Psyence Fiction.

It's basically soft rock, ssw, entirely.  There is little hint of the fact we entered into the dreaded 80s decade.  Movement featuring a solo piano composition is nice to listen to, but not representative:

The final track called So What reminds me so eerily of my old folk acoustic favourite Gene Hood, the one album in that dept that I adore so profoundly and feel so sad it didn't become better known:

Robert Wyatt in The Animals soundtrack, 1982

 

Can't believe I never heard this before-- and of course, it goes without saying I'm a lifelong, huge mega-fan of Soft Machine and all the artists that were involved with them.

Discogs page for the album here.  I believe, but I'm not sure, when I went to explore the post-Matching Mole releases from him, a long time ago, I passed this one by because of its erroneous description as abstract or experimental.  Admittedly there are passages that are exactly that, but there is at least half a (short) LP's worth of genuinely interestingly composed progressive synthesizer music.  Or maybe it wasn't listed there at the time.

Description:

Soundtrack to anti-vivisection movie 'The Animals Film' directed by Victor Schonfeld. 

Narration is by Julie Christie.

Luckily it has its own wiki page, here, on which you can read about the movie, if you're as interested as I am:

The Animals Film is a 1981 feature documentary film about the use of animals by human beings, directed by Victor Schonfeld and Myriam Alaux, and narrated by actress Julie Christie.

Synopsis

The Animals Film presents a survey of the uses of animals in factory farming, as pets, for entertainment, in scientific and military research, hunting, etc. The film also profiles the international animal rights movement. The film incorporates secret government footage, cartoons, newsreels, and excerpts from propaganda films.

etc.

I can just imagine how horrifying some scenes must be, based on the cover monkey.  Probably I wouldn't have the heart to watch it.  We have to bear in mind that standards are a little bit higher today than at the time, 24 years ago.  Only a little bit though.

Note the following though:

Robert Wyatt composed an original soundtrack for the film, released in 1982 on Rough Trade Records. The film also features music from the Robert Fripp album Let the Power Fall, Talking Heads and ex-Audience frontman Howard Werth. Critical reception of the soundtrack was mixed. Ted Mills of album database AllMusic described the soundtrack as "moody" and filled with "tasty-sounding analog synths from the late '70s", but ultimately it "disappoint[s] fans of Wyatt's vocals." It was later issued in a heavily edited form (losing more than 10 minutes, with no explanation given) as a Japanese CD, and all later CD reissues have been cloned from this master.

Part 1.2 is fantastic prog:

Part 2.2 with the classic Wyatt reverbed vocalizing:

Wonderful stuff. Exciting for me to hear, for the first time.  I'll try to watch the movie too, which I found here.

US Fusion Band, The Awakening in 2 albums [Hear, Sense and Feel 1971, and Mirage, 1972]

Pretty ordinary US fusion with vocals, but I wanted to highlight the amazing cover art of the third LP which is a compilation of tracks from the 2 earlier releases.  That butterfly Nefertiti is just crazy, isn't it?I saw it a vinyl store and was blown away by the design, so classic.

Sparse info on discogs on this page.  From the first album, the Awakening Prologue:

From the second and last album, Mirage:

Back to the University of Miami Band, Part 2: Estramos Ahi 1983, and My Ideal 1987 [WAV files]

 

These 2 are not quite as compelling as the preceding Seventh Sign.

From 1983's Estamos Ahi, In a Fashion:

From 1987's My Ideal, Beckon Call:

Back to the University of Miami Band, Part 1: Seventh Sign 1977 [WAV limited time]

 

I wonder if people remember the 2-LP I ripped from this univ. band, long ago called Halcyon Days.  Here is the 1977 release, called Seventh Sign.  Note the 2 different covers, hard to say which one is more attractive-- both are.

The title track is quite enjoyable:

Henry Now - Then Again, by request, limited time only

 

Henry Now:

The name was chosen by producer Max Marchini in occasion of the Henry Cow reunion in 2022. It consists of Fred Frith, John Greaves, Tim Hodgkinson and Chris Cutler.

This time discogs is right to describe it as improvised, avant-garde.  There is no composed music, so far as I can discern.  Recently released, therefore uploaded only limited time with no reups please.  First track sample:

Back to the HUJE band, part 2: the rare 1979, and 1982 LPs

 

From the 1979 album, databased here, a track called Myles Dream, written by Marsvyn David:

From HUJE 1982, the lovely and ingeniously winding melody of Outside my window:

Written by Grady Powell.  What happened to him, I wonder?

Back to the HUJE jazz band, Part 1: 1978 (Howard Univ. Jazz Ens.)

In the past were posted the 1981, 1983, and 1984.  Here are 3 more, starting with today's post of the 1978 installment, and many thanks to our friends who find these things and then are willing to pass them on to others to enjoy.  Information for this one on this page.  The summary on discogs:

Howard University Jazz Ensemble (HUJE), Washington DC, USA, was founded in 1975 by its director, Fred Irby, III. Outstanding performances in the United States, Europe, South America, Asia, and the Caribbean have caused it to be recognized as one of the foremost college jazz ensembles. HUJE has been heard on radio and television as well as in concert, often appearing with celebrated performers. Members of the HUJE have won awards as performers and composers/arrangers, and the ensemble includes among its alumni several practicing jazz artists. Additionally, the HUJE was featured during the 1992, 1996 and 2005 Kennedy Center Honors Gala (CBS-TV). The HUJE has released thirty-four recordings in a distinguished series that began in 1976.

34! wow.

A great sample track, St. Thomas by Night, by Marsvyn David:

Rubba with Ratledge, Jenkins, Giordano, et al., Library albums [Push Button 1979, In Motion 1980, Electra 1982, Movement 1982] -- ALL FLAC

 

I mentioned just recently how much I love Karl Jenkins.  Therefore it made sense to root around the landscape to see if he made more unknown or lost music somewhere, like that Linda Hoyle LP.

I guess him and famed Soft Machine Keyboardist Ratledge made some library stuff too. Some of it under this band's monikor, discogged here.  Note the impt. proviso there: 

Library act with different people involved depending on the record. Not a side project of Jenkins & Ratledge per se.

Looks like there are 5 LPs total, of which I post the first 4, leaving out the 1983 one.

From Push Button, Pop Stuff

From Giordano's In Motion, which rehashes earlier tracks from him that appeared elsewhere, the gorgeous So Softly:

From Electra, Lizard:

From Movement, Circles:

Alan Parker's Hot Ice, 1974 [FLAC limited time only]

 

One of the few Parker or Hawkshaw's I haven't yet posted, info here. Cover again by Nick Bantock.

Here are a few sample tracks, to give you an idea. His lovely Legend composition:

Hi-Jinks:

Best Friend:

Overall very pleasant music.

https://www.swisstransfer.com/d/9770e98d-45a8-4aa5-8d7f-202c354fbda2

new up of osamu shoji jataka

https://www.swisstransfer.com/d/7f1f5ccf-7703-4af2-a9a1-25dd3adb89e4

Robson Tapes - I Painted a Picture, 1986

I guess the cover doesn't inspire a lot of confidence in the contents here.  But I had to obtain this record, because we heard so much unbelievable stuff from him in the past.  Do you remember? The first ST one (1974) with the photo of the back of his head, then the equally amazing follow up Stay Awhile (1976).  These are legendarily beautiful lost albums of progressive vocal rock from Finland.

Frank Robson is discogged here thusly:

Profile: Born on April 27, 1946 in Bradford-on-Avon, England. Died on November 16th, 2024 in Lahti, Finland. A singer and pianist. He moved to Finland in 1967. His daughter Jenny Robson is also a singer.

I guess he was in Tasavallan P. too, the legendary Finnish prog rock outfit. 

Incidentally if you check out his discography, the 'Sings Nick Hanian' (1987) is quite ordinary and not worth hearing.

This LP is listed under Robson Tapes, the only release from this gathering, also interesting to me because it includes Nono Soderberg, recently posted here. I didn't listen to the CD 'Back in Business' the recent one (recent! from 1998 that is).

I think, but am not sure, the best track is Yesterday's News:

At any rate, gives you an idea of the contents. Along with that cover.

This is Boston Not LA, 1979 [protopunk] [FLACs]

 

Here's a total change in direction, I bought this out of curiosity in Boston. It's punk completely, but all unknown bands with some really crazy hard music from the heyday of that genre.  To give you an idea, from a band called fittingly enough The Proletariat, Allegiance:

Summers - Fripp 3 [I Advance Masked 1982, Bewitched 1984, Mother Hold the Candle Steady unreleased] FLAC limited time only

 

I was astonished to see that Andy Summers (The Police) had played together with the great Fripp, and for three releases no less.  These are unabashedly progressive instrumental music too, which is what you'd expect with the involvement of the latter, who was totally uncompromising in his career.  And this was in the early 1980s-- the era of Duran Duran, remember!  I am not sure MTV ever played prog rock in those days.  Maybe there was a program at 3 AM? I doubt it.  I am also unsure as to whether he made more progressive or fusion, because the connection with Police is a bit of a dissuader.  Having said that I think these 3 all are worth hearing, with the third one being unreleased material derived from the same time period. Everywhere there is the Frippian dissonant angular riffing.

Brainstorm, from Mother etc. gives you an idea:

Then I listened to this compilation of material just from Andy, which is new agey but pleasantly progressive, inventive, and interesting. For ex., A Piece of Time from the Windham Retrospective:

First from Last Exit... 1975 [FLAC limited time only]

With Gordon Sumner = Sting.  I think everyone can instantly recognize his unique voice in fact, anyone who might be older than about 35 maybe, that is, millenial or Gen X or god forbid baby boomer?  (I certainly would never ask a Gen Z to identify him.)

This band existed as of 1974 and I suppose was the first for bassist Sting (aged 23 at the time), with this cassette release from 1975 in the jazz-rock territory it's unusual to say the least.  It definitely surprised me, partly because it's quite approachable and listenable, with horn rock songs for the most part.  You'll note some of the later Police harmony vocal patterns on On This Train #2:

I would go so far as to say almost every song is not throwaway, showing the youthful creative energy you always encounter with music and musicians.

Album closes out with the lovely instrumental A Bit of Peace:

Huge surprise for me, who has never been a Sting fan and probably never will be without a head injury. Apologies to those who are.

Akropolis - Half a million hours symphony, 1979

 

Back to the classic prog sound with this lesser known one-off album from late in the era, this one is very similar to stuff like Thomas Flinter, my favourite Prisma, etc.  Discogged here, despite the artist name, it's a Danish band. Go Greenland!  Btw, half a million hours of course was the expected lifespan back then-- a surprising 57 years.  Probably that's related to too much sex and drugs.

Movement, Puberty:

Post-Osanna band Uno with their one-off from 1974

 

UNO:

Formed from the ashes of Osanna when the band split in 1974 by Elio D'Anna and Danilo Rustici along with drummer Enzo Vallicelli (from Hellza Poppin, who had played with Osage Tribe and Claudio Rocchi), Uno was a much-hyped band that went to England to record their first and only album with help from lyricist N.J.Sedwick and singer Liza Strike (of The dark side of the moon fame).

The album is not far from late Osanna style (Landscape of life-era), with four English-sung tracks and three in Italian, with songs like I cani e la volpe in evidence, but didn't reach the success the band hoped.

An English sung version of the album was released abroad, with a nice surreal cover designed by Hipgnosis (again a link with Pink Floyd), but didn't attract much interest.

The three-piece band worked well in studio but couldn't get satisfying results when playing live, so the help from Danilo Rustici's brother Corrado Rustici (from Cervello) on guitar and bass was requested for live appearances. From this expanded line-up came the inspiration for a new band, called Nova.

Enzo Vallicelli has kept playing (and still does it now, under his surname of Vince Vallicelli) as an appreciated blues drummer.

Hopefully everyone is familiar with ultrahigh-energy Italian Mahavishnu-like fusion band Nova too, which is just brilliant, especially 1975's Blink but also 1977's Wings of Love.

Interesting they mention Dark Side of the Moon, because I always though Goodbye Friend is a little bit too much of a homage or less gratuitously a copycat of The Great Gig in the Sky:

The most progressive track is 11 minutes long and called Uno Nel Tutti, it doesn't rise to the level of Il Baricentro or Banco or Gramigna, but it's still great, reminds me a lot of famed French proggers Pulsar, with the strong aforementioned Pink Floyd spacey influence:

Amazing cover graphics too!

Barry Coates and the Hats: Because I love you, 1983, and Move Like a Dancer, 1989

 

I noticed Barry played guitars on the previous masterpiece prog-fusion album.  (I'd known him from before, thanks to the great Move like a Dancer fusion album.)  His own databased page is here.

In the 80s he played with the smooth fusion band called Barry Coates and the Hats, and they put out 2 albums in that decade, the 2nd a bit better than the first, privately pressed.  From that first 1983 one, the closer called At Last:

While from the follow up LP/CD Dancer, 1989, there are quite a few beautiful compositions, augmented by a bit of a new age feel which is not altogether unpleasant in this circumstance or environment.  Consider the crystal-clear acoustic guitar on Hover Craft:

Probably we can agree the usual standard simplistic new age chord progressions are missing here.

Some nice thoughts and really fine ideas in there though, worth hearing a few times.