Masahiko Satoh, Part Three, 2 more

Amazingly the album from 1986 called Amorphism doesn't disappoint in the least bit.  The track oddly called Utopala sounds like it's from the greatest European fusion albums of the seventies, with the brilliant cello melody conversing lovingly with the electric keys so gorgeously and emotionally:

Then I have the 2005 album Live at Moers which does, finally, disappoint me a little, but still has quite a lot of good music to enjoy, similar to the situation with Orchestre National.

And I know that he was so hugely productive that many out there more familiar with his oeuvre know of some albums from him well worth hearing, which I've never heard.