Showing posts with label Eef Albers. Show all posts
Showing posts with label Eef Albers. Show all posts

Wednesday, 28 November 2018

Ack Van Rooyen in 1982: Homeward and Some kind of Changes (with Mariano)













The wonderfully named Ack van Rooyen is a Dutch trumpet player and studio musician born 1930.
Today we focus on his twin 1982 albums, very little known, which in all honesty I found brilliant.  Notice on Homeward he is complemented by a wonderful group of virtuosos including guitarist Eef Albers who was featured before here to satisfactory completion, I think.  Some of his albums were magnificent.

The tracks are all written by different members (Eef contributed a couple of wonderful songs) with my favourite being the odd impression of Pisces, which is by Jerry Van Rooyen (the brother):





And what a progressive fish that is indeed.

Turning our attention to the other release called Some Kind of Changes your jaw will drop when you note that this album, so far undigitized by us and our minions, includes Charlie Mariano, Sigi Schwab, and Eberhard Weber, plus on drums, Branislav Kovacek.

Charlie Mariano, in particular, has been so consistently brilliant throughout the period, with Helen 12 Trees to Sleep my Love, I love him to death.  In this album, with compositions mostly by Mladen (Bobby) Gutesha (not appearing on the LP however) we have more of a conventional style of 'contemporary' acoustic jazz, in fact, the blurb on the back makes things quite unclear here:

Modern jazz without electronics-- that was the basic and most important idea in planning this production.  Five excellent musicians came together just to make music.
It is up to the listener to classify the category or style of this music.

Category, my ass-- it's easy enough to classify it as contemporary jazz on discogs.  But the nice dynamic dissonance of flattened fourths comes together well in this track, appropriately named after its intervals:





Otherwise, the music ranges all over the place from simplistic 'balearic' trash on the last song, to latin rhythms and accordingly super-predictable chord changes, to ECM style smoothness.

Surely the highlight of this post is the Homeward masterwork.

Friday, 31 August 2018

More Eef Albers, unbeknownst to me: Birds of the Night (Limited time only)





As you all know I hate to post CDs, just oop records on these pages, but this one really shocked me when it was added to the pile of earlier Eef Albers albums I uploaded.  The quality of the musicianship is as high as anything we've heard from the likes of say German Karl Ratzer or American James Vincent,  Consider the opener which was unpromisingly called Bulgaria, but turned out to be lacking fortunately in ethnic folk styles:





Note from the credits that he composed all these tracks...



Wednesday, 22 August 2018

Eef Albers in Pyramids, 1987



I wasn't hoping for all that much after Skyrider but surprisingly Albers' best fusionary work turned out to be this album from 1987, a very inauspicious year.  As we all know, crossing the 1980 border usually results in a serious musical decline, getting all the good creative music confiscated away from us by those nasty customs officers-- they're the same in every country, aren't they...  but this case is the exception for it seems Albers saved some of his best ideas for much later.

The track called Marathon I shows a finesse to its progressive keyboard chords that seems so out of place for the late year, recalling the best of the Manfred Schoof oeuvre I've posted here and there before:





And surprisingly the whole album continues in the same vein, with no compromising positions or fuzak throwaways to feed to those commercial wolves, or perhaps rather-- headless chickens...

Like, what happened, Eef?  You forgot what year it was?



Monday, 20 August 2018

Eef Albers Kwartet Skyrider plus more




Unfortunately the only album from this mucho talented crew headed by the guitarist who so generously gave his name to the kwartet, this represents Euro-fusion at its best with a minimum of self-inflated improvised dawdling and a maximum of composed passages and riffs, with the typical emotional resonance of their version of this US artform:





The last track, called me Take me There. Note that Gerry Brown is the drummer.

With regards to the prior elements of Eef's discography, 1977's Blue Capricorn is a very agreeable guitar-by-numbers easy listening instrumental album (though take note of the gorgeous arrangement on the Albers-composed title track) reminiscent of late Jan Akkerman instrumental albums, and 1980's Brothers with the dynamic duo John Lee/Gerry Brown is electric but a bit on the too bluesy side.