Yeti Part 3, Live at the Wreck Room, Live at the Sockmonkey

 

The first live at Wreck Room (2001) has 3/4 of the songs from the Things to Come album plus Raga Gaj as the other song, while the second one, from the same year, has again Raga Gaj plus 3 other compositions: Two Fingers, Recapitation, and Fragonard's Homunculus.

I notice on youtube this track (not on the CDs) from apparently the same location.

Tracklisting for Live at the Sockmonkey is the following, based on the announcements by a band member:

Track 1 - Two Fingers [1st track from Things to Come]

2 - Raga Gaj [again! obviously they loved that one]

3 - Est Mort  [last track from TtC]

4 - Indication (?) [with Chris Forest on clarinet]

This track unfortunately (to me) sounds like it's completely improvised.

However, I've never heard a Raga like that before and I doubt I ever will with those thundering chords that open it up. I am not sure how much the Brahmin will be happy with the peaceful meditation quality of that raga.

I'm never too crazy about live recordings because I find the noise distracting and the recordings, inevitably, subpar, but I know many love it for its authenticity. Plus I had to post these so we can complete the output of this marvelous and brilliant band.

Yeti part 2, unreleased: Demonstration, Man with the Lamp

The first EP Demo from 1999 includes Interstellar Biplane and Est Mort which of course appeared on their first album from 2000. Obviously the recording is not perfect, the sound is rough, and some might enjoy the less polished and harder feeling to these compositions.  For me it's lacking the complexity of texture featured in Things to Come.

The 2nd one also an EP from later though, specifically 2002, is actually dedicated to Doug Ferguson therefore doesn't include him. The 2 tracks are called Strangled by the Light and Black Pills, presumably a Matrix reference since that movie, a touchstone for all the 'slacker generation' like me, or the once-called generation x people, came out a few years before. Of course nowadays in common discourse there are only 2 generations left: the notorious big baby boomers and gen z. The rest might as well not even exist, pity esp. the poor millennials who lost the limelight completely because they're 'too old' now. It seems like ages ago when even I made fun of them for being juvenile, self-absorbed, and incompetent at workplaces.  (As for the baby boomers, we can for sure accurately describe them as at once collectively the richest generation to have ever lived on this planet and probably the richest generation who will ever live, and never die. Little chance whatever generation comes after 'z' is able to pry away the wealth and real estate from their ancient arthritic fingers, ever...)

Moving on (thankfully) to Man with the Lamp (2006) we have more of the same, drony, hammering, dissonant and spacey electric-based music which meanders like a spaceship adrift in a cosmic dust storm, smashing into meteors and comets with abandon sometimes losing speed but accelerating anew to pass into the distant distorted darkness of another supermassive black hole filling up the galactic centre. 

I want to emphasize what I love about this band is they really do evoke a wonderful space-travel feeling, the sound of the synths, the percussion, everything works. It deserves to be the soundtrack to a science fiction movie set in distant space. The only negative you could put forward is at time it gets a bit boring when the music isn't developed enough and appears to me at least overly improvised.  Much like the earlier posted Bozon, it does change a lot in each track, sometimes in really abrupt and surprising or unexpected ways, and I love the hard guitars that always appear inevitably.