Roy Burns with the Dick Grove Big Band-- Big, Bad and Beautiful (USA 1973)

Quick bio of Roy Burns:

American jazz drummer, percussionist and educator. 

Roy played (among others) with Woody Herman and Benny Goodman. His name sometimes appeares (incorrectly) as Roy Burnes, Ray Burnes and Roy Burness on recordings. 

b. Nov. 30, 1935 in Emporia, KS. 

d. May 2, 2018, Fullerton, CA

This 1973 matchup is a wonderful big band album, for those who have a taste for that much neglected and maligned genre, and some very nice compositions.  It's a bit less progressive than the customary content on this blog, even less than some of the most posted college band stuff like the Towson State series or NTSU.  I'm not sure why the Dick Grove big band appears only on this record, with no other listings, if it was just a nonce project for Roy Burns, or how it relates.  Note that Roy Burns made another college band album prior to this one with song titles appearing to my eyes somewhat more humdrum.

Anyways, by far the best composition is My Lady, which you can hear here:

Abbhama's Alam Raya from Indonesia

It's true that Indonesia did make some phenomenal progressive rock, mostly emanating from Giant Step and Benny Soebardja.  (Someday I should post all the Giant Step albums, which are all distinctly inferior to Giant on the Move! but do contain some nice progressive tracks here and there.)  And on this blog we've called attention to British-Indonesian library composer Toni Campo (misspelled as the more proper Tony earlier).  He made a great album called Garuda, which should still be kicking around here.  So it shouldn't be too much of a surprise to discover this one, which is in the symphonic prog vein, complete with flute, synth-strings, etc., mostly recalling the classical-influenced early Italians like PFM, Banco, Celeste.

It looks like they made only one album, back in 1978, only released to cassette.  Surprisingly the discogs bio is longer than usual, or than expected:

It's hard for a band outside Europe or USA to reach the rest of the world and sadly some good material is lost due to the limitations of Asian or African countries, this is the case of ABBHAMA, an Indonesian band who released a cassette in 1978 called "Alam Raya".  The information about them is pretty hard to find being that they were not popular even in Indonesia because as in many countries of Asia, the charts are dominated by native Folk bands and Pop groups mainly from United States and there's a very small fan base for Progressive Rock bands. ABBHAMA was born in 1977 and was the brainchild of the talented keyboardist Iwan Madjid, who was clearly influenced by Yes, Genesis, ELP and all the Symphonic icons but with also a strong French and Italian influence, the special touch are the lyrics sung in their native language and the clear ethnic influences.  The addition of Oboe by Hendro (That's how the musician is credited) gave them a very special and unique taste. Due to the strong and characteristic Indonesian sound, ABBHAMA could have a place in Folk Prog, but the essence of their music is clearly Symphonic. 
Sadly their story ends with the release of Alam Raya, proving once more that you don't only need to be skilled but also require to have the luck of being born in a country with a strong musical industry. 
After ABBHAMA disbanded Iwan Madjid and the bassist Darwin formed a more mainstream oriented band named WOW that apparently had more luck in the Indonesian charts releasing three albums. 
Iván Melgar Morey - Perú

For example the track called Keriadaan Yang Ada checks off some of the biggest elements of  the symphonic prog style, incl. the tempestuous hammond organ riff intro, the quoting of another well-known tune (God Save the Queen), chamber instrumentation (aforementioned oboe), digital synths, an odd chord change or two, sudden rhythm changes, a middle section that knocks off some tritonal or diminished chord riffs:





Not all the music holds up to scrutiny, but there's a handful of tracks that one needs to listen to repeatedly to appreciate, which is a good thing.

Kornet's Digital Master Direct Cut (1979)

This is a well known Swedish band that made three albums of tight furious fusion in the late seventies, with that typical intellectual, thoughtful, European style.   Much like Scope, Finnforest, etc., etc.  Less well known is their EP from 1979 with three interesting, perhaps not exceptional tracks.  The 727 one:





And it's a good thing this wasn't called 737 or it would've surely crashed and burned.

You can see they really cared about their album art too, with a great deal of variety from beginning painting to the gorgeous sunset end photo.

Concerto for Padre with Cozzetti - Gemmill plus Fred Taylor

You all remember Fred Taylor (I hope), I mentioned him recently in connection with Baird Hersey.  Apparently the year before his magnum opus he teamed up with these two jazz artists (specifically, trumpeter and pianist Bob Cozzetti and saxophonist Tim Gemmill), performing percussion, but without contributing any of his gloriously inventive compositions.  The other member of the quartet is bassist Steve Bartlett.

The final track, called Capt. Pike (remember him from Star Trek?):





It's very piano-based, contemporary, modal jazz, lacking the fusion fire.  And the chamber music experimentation aspects.
So, a bit of a disappointment from the heights of Court of Circe.

Sunrise, USA 1977

A really lovely happy cover like that, has to be promising... & indeed we have that wonderful warm 'n' funky AOR pop-rock sound, heated up by the addition of a bit of slapped bass rhythm, the electric keyboards, the three-part harmony vocals usually in triads, plus some exciting fusion.  Will the US wonders never cease?  Very similar to so many others I've 'discovered' (thanks to my lookout friends) and posted such as our favourite Baby Grand, the amazing tax scam band Sunshine, What's it To Ya, etc., etc.

Fusion fans will really dig the instrumental excitement on the wonderful astronomy of Saturn Rain:





The fast guitar riffs augmented by classical fugue-like patterns or chords plus that mix of sounds with adept use of synths, keys (the harpsichord sound), etc.  is so classically 70s, isn't it?


From recorddigger via rym:

Sprightly Late 70's Pop Rock Obscurity
Obscure late 70’s pop rock outfit led by keyboardist Domenic Cicchetti.  This was Cicchetti’s first project – he would eventually keep working in the field branching out into other areas such as being a “musical instrument product specialist”.  Sunrise is a melodic set of warm 70’s pop rock full of energetic twists and turns. The uplifting catchy chorus “Can You Find Some Time For Me” is the foundation of the standout power pop rocker ‘Find Some Time’. The foursome rocks out on ‘Found My Love’ and adds some progressive spice.

Some more info here.  And Domenic Cicchetti here.

A not mentioned but better example of all of the above verbiage can be found on their Sunrise Scherzo:





Thanks to all those who help me to discover and bring to light these lost works from deep in the ground...