Tuesday, 20 May 2014

Heikki Sarmanto with Pentti Saarikoski, Maija Hapuoja and Juhani Aaltonen: 1989's Salakuljetettu Ikoni [Smuggled Icon]

Another album shared by my wonderful friend... Thanks!!  
in his words:

"Another secret Masterpiece of Heikki Sarmanto!
Salakuljettu Ikoni (English: Smuggled Icon [religious Orthodox-Catholic Icon])
This album was made for Siemens for promotional/gift use! Therefore it is very Limited Edition, been released under the same name on CD but with very different content!

This Lp is rather rare, very rare! We are privileged! =)
Give an attention to the vocals of Maija Hapuoja and the wonderful Sax of Juhani Aaltonen.
Lyrics are by famous Finnish poet Pentti Saarikoski, unfortunately in Finnish."

From pnf (reprinted by permission):

"Composer and pianist Heikki Sarmanto is a leading Finnish jazz scene figure who has been internationally praised for his symphonic, orchestral and jazz ensemble works. During the early 1960s, Sarmanto studied at the Sibelius Academy in Finland. Shortly thereafter he won a prestigious award for the International Competition of Jazz Composition in Minneapolis, MN. He also performed in numerous Finnish jazz recordings including Christian Schwindt’s “For Friends and Relatives” (RCA Victor) and Esa Pethman’s “The Modern Sound of Finland” (RCA Victor).

 Sarmanto entered the Berklee College of Music in Boston, in 1968 where he honed his piano and composition skills with coaching from Herb Pomeroy, Charlie Mariano and Margaret Chaloff. In 1969 he released the first recording under his own name in 1969 titled “Flowers in the Water” (EMI/Columbia), which was taken from a live recording at the University of Jyvaskyla.
 In 1970, Sarmanto was chosen “Jazz Musician of the Year” in Finland. Back in Boston, he joined fellow musicians Lance Gunderson (guitar), Craig Herndon (drums), George Mraz (bass) and fellow Finn Juhani Aaltonen (saxophone) to record what would be released 38 years later as “Boston Date” (Porter Records). This quartet, with Pekka Sarmanto replacing George Marz, would be known as the “Serious Music Ensemble”. They would go on to record “Counterbalance” and “Like a Fragonard” (EMI/Odeon) in Finland. These two powerful recordings showcase both of Sarmanto’s amazing abilities as a piano player and composer. They incorporate elements of jazz, folk, improvisation and even rock to make a distinctive statement.

 In 1971, he was awarded top honors at the Montreux Jazz Festival in both piano and combo categories. Sarmanto continued to record for EMI/Odeon with the big band recording “Everything is it”. Throughout the 70s, Sarmanto continued to record albums that ranged from big band to arrangements based upon poetry...

 In the 80s, Mr. Sarmanto was chosen by Sonny Rollins to arrange and conduct his “Saxophone Concerto”, which premiered and was televised in Tokyo in 1986. Some of his key works include “New Hope Jazz Mass” dedicated to Duke Ellington and John Coltrane, which was received with unequivocal praise at the opening of Saint Peter's Church in New York, and also Suomi Symphony, which premiered to rave reviews at Carnegie Hall in 1988.

 He was instrumental in founding the internationally lauded UMO Jazz Orchestra and was appointed its artistic director in 1999. Sarmanto headed the Jazz Studio at the Sibelius Academy which is highest institute of Finnish music and now home to the foremost jazz department in that nation....

 He has toured the United States, Europe, Latin America, Asia and Africa and continues to actively expand his musical horizons. Porter Records along with Heikki Sarmanto and EMI Finland have begun to re-release a substantial body of Sarmanto’s previously unavailable early work for both the enjoyment of new and old enthusiasts of jazz."

Back to this particular album.  We have here the perfect representative of progressive music again, a combination of the gorgeously operatic singing of Maija Hapuoja  with the most magnificent compositions incorporating both jazz and European chamber music-- in other words, my perfect, dream combination...
 And there is no hint whatsoever that we are here in the year 1989, instead, it sounds like we are back in those gloriously inventive and creative seventies still...  again, damn those eighties, why did they have to happen...


  1. satmanto 1989

  2. So much talented music here.The composition is stunning,incredible jazz Symphonic music!!!